So, I'm generally not an, let's say, adventurous person. So I'm kind of excited that I've let myself slip into a subdued fangirl state for two things I never thought I'd watch/read: Glee and Harry Potter.
I basically watch Glee for the Puck and Kurt, though I've always had an affinity for really good cover songs. I was surprised by how much I liked it, but really, I shouldn't be. I'm stubborn about avoiding things, but once I'm exposed to it, usually I can find the good side. And when the good side is adorableness and catchy music, that's enough for me.
Now, for Harry Potter I have an excuse. I've not been allowed to read it before. Don't have a panic attack, I've read a lot of other equally controversial books with my parents' consent, they just held a particular suspicion for Harry Potter. Don't ask me why. But I made a case that trying to write MG fantasy with having read Harry Potter was like trying to write Christian books without having read the Bible, and I got The Sorceror's Stone out of the library. Happiness ensued.
Speaking of new things, I decided to skip senior year of high school and go straight to community college. Is more important than reading my first Harry Potter? Maybe. But I'm going to act like it's not.
So, while thinking about doing new things, I stumbled upon a plot for a YA. I'd already had the character and a few other details, but now I've actually got something to go on. Now I just have to decide if that's the project I'm going to focus on next.
Showing posts with label music. Show all posts
Showing posts with label music. Show all posts
Wednesday, March 16, 2011
Monday, February 7, 2011
The Song of the Story

A lot of writers say this, but I can't help associating stories with music. A song can take one emotion out of the many connected threads which make a novel and make you feel it (my Christian Living teacher refers to this facet of modern music as 'emotional porn'. It's kind of funny, yet kind of disturbing). It's a way of increasing the emotional connection between the character and the writer/reader, because many songs (mostly popular song) are generic and can speak to the experience of the character while also speaking to your experience or your desires. Songs help you understand how and why people can relate to your character, because a large number of people in the general demographic have related to the song, if it's popular.
If the music fits the tone, too, you're on a roll.
There's a reason I've been thinking about this, but I'm not sure I want to go into it just now. Instead, I'm gonna list a few songs that make me think of books I've loved, or vice-versa.
The Reason (Hoobastank) - Girl, Stolen (April Henry)
Once (Caleb Kane) - Ink Exchange (Melissa Marr)
Chasing Cars (Snow Patrol) - The Outsiders (S.E. Hinton)
I'm Alive (Becca) - Howl's Moving Castle (Dianna Wynne Jones)
Ugly Side (Blue October) - Beastly (Alex Flinn)
I Will Possess Your Heart (Death Cab for Cutie) - Paranormalcy (Kiersten White)
I'm sure there've been more, but I've forgotten them.
Of course I do this with my books, too. Rather obsessively. Perhaps, one day, I'll be able to post some of those here, when people have actually read them. I will say that "I Will Follow You into the Dark" is rather permanently in my head as "the song of the story" for Accidents. There are a few others.
Now that I've prattled, I want to hear your thoughts. Do you agree with my match-ups? What songs do you associate with a book or character? What songs would you chose to represent your own work?
Labels:
accidents series,
book suggestions,
books,
music
Wednesday, November 24, 2010
Music and Writing
A few days ago, I was getting ready to edit a scene from my WIP and literally couldn't bring myself to start until I brought some music up in the background. I'm one of those authors who finds it much easier to write with music. It often reinforces and/or inspires certain characters or relationships, regardless of if the songs themselves are mentioned in the book.
That being said - My Chemical Romance has been my favorite band for several years. They have a brand new album out, and I've done more than I usually would to celebrate the occasion, partly because of the band, but partly because this album has already been an inspiration, from the time I heard the promo for the very first single. I won't be able to buy the CD 'til I get some funds (Christmas money is never saved with me), but I've watched every video, including one with the entire album on it (you can see why I love this band, yes?) and I'm excited. Very, very excited. There is one driving force behind this excitement: Spade.
I haven't talked about Spade much, and I won't, because it's not my project. Well, I'm co-author, but it's not my baby/brain-child, the idea came from a friend that just got too busy to do all the writing herself. I offered to help, and she offered to let me. It's my fall-back project for when I'm stuck on my own stuff, or just need a break.
Like MCR's new album, Danger Days, Spade is a dystopian set in California (though it's more governmental breakdown than true disaster story), and it has it's light/dark moments. We don't have masks, dracs, or blasters, but we do have a kidnapping, copious amounts of thievery, and rebellion. While hearing Danger Days for the first time, I thought continually about Spade, the characters and what I love about them, and about that book.
There was once a rather self-indulgent scene early in Spade where a large group of characters start bawling out 'Teenagers', a MCR song, when it came on the radio. Now, in my mind, that scene that probably won't make it past revisions has 'Na Na Na (Na Na Na Na Na Na)' in it, instead. Whenever I think about the two MCs, I feel like 'The Only Hope For Me is You' and 'Sing' are their songs, their hope and their message. And that's what I love about MCR, about this album, and about music. It rings true to me as a fan, a person, and a creator, and it makes me want to write and draw and get up in front of people and scream my lungs out. That's my definition of good music.
So in the spirit of Thanksgiving, thanks go out to MCR, for breaking the rules, making this album, and bringing back the sunshine and color. It's been a trip watching them grow as artists and leeching off their inspiration.
In closing, MCR rocks, dystopians are fun, and this was an unusually long blog post. Happy Thanksgiving, everyone.
That being said - My Chemical Romance has been my favorite band for several years. They have a brand new album out, and I've done more than I usually would to celebrate the occasion, partly because of the band, but partly because this album has already been an inspiration, from the time I heard the promo for the very first single. I won't be able to buy the CD 'til I get some funds (Christmas money is never saved with me), but I've watched every video, including one with the entire album on it (you can see why I love this band, yes?) and I'm excited. Very, very excited. There is one driving force behind this excitement: Spade.
I haven't talked about Spade much, and I won't, because it's not my project. Well, I'm co-author, but it's not my baby/brain-child, the idea came from a friend that just got too busy to do all the writing herself. I offered to help, and she offered to let me. It's my fall-back project for when I'm stuck on my own stuff, or just need a break.
Like MCR's new album, Danger Days, Spade is a dystopian set in California (though it's more governmental breakdown than true disaster story), and it has it's light/dark moments. We don't have masks, dracs, or blasters, but we do have a kidnapping, copious amounts of thievery, and rebellion. While hearing Danger Days for the first time, I thought continually about Spade, the characters and what I love about them, and about that book.
There was once a rather self-indulgent scene early in Spade where a large group of characters start bawling out 'Teenagers', a MCR song, when it came on the radio. Now, in my mind, that scene that probably won't make it past revisions has 'Na Na Na (Na Na Na Na Na Na)' in it, instead. Whenever I think about the two MCs, I feel like 'The Only Hope For Me is You' and 'Sing' are their songs, their hope and their message. And that's what I love about MCR, about this album, and about music. It rings true to me as a fan, a person, and a creator, and it makes me want to write and draw and get up in front of people and scream my lungs out. That's my definition of good music.
So in the spirit of Thanksgiving, thanks go out to MCR, for breaking the rules, making this album, and bringing back the sunshine and color. It's been a trip watching them grow as artists and leeching off their inspiration.
In closing, MCR rocks, dystopians are fun, and this was an unusually long blog post. Happy Thanksgiving, everyone.
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