Review: Sun and Moon, Ice and Snow by Jessica Day George

Amazon Product Description:
“Blessed—or cursed—with an ability to understand animals, the Lass (as she’s known to her family) has always been an oddball. And when an isbjorn (polar bear) seeks her out, and promises that her family will become rich if only the Lass will accompany him to his castle, she doesn’t hesitate. But the bear is not what he seems, nor is his castle, which is made of ice and inhabited by a silent staff of servents. Only a grueling journey on the backs of the four winds will reveal the truth: the bear is really a prince who’s been enchanted by a troll queen, and the Lass must come up with a way to free him before he’s forced to marry a troll princess.”

I was excited to find this retelling of “East of the Sun, West of the Moon” in my library. I wasn’t sure what to expect, but my risk-taking was rewarded: this is a truly masterful retelling.

The lass, who for the better part of the book doesn’t have a name, is a interesting and compelling character. She is tough, curious, and clever, and does things I would not dream of doing. Her relationship with her brother, Hans-Peter, her pet wolf, and the polar bear really bring out the best of her character. If she’s at times a little brash and foolish - well, I love her for it. The emotions and motivations were so well played that I rarely found myself questioning her.

The book follows the plotline of the original tale astoundingly closely (with embellishment, of course). One thing that I find I can rarely say of retellings - it felt like the narrative spent just enough time in each place. The plot moved along pretty quickly. I can’t think of any time at which it became tedious or when I wanted more description. (If the author’s note is to be believed, this is reputably the work of fantastic editing.)

George’s style has an almost lyrical quality well suited to fairytales. The description is rich, but not laborious. She handled both bright and bitter moments with finesse. The dialogue is spot-on, especially the little exchanges between the lass and her wolf. Norwegian and Old Norse words pepper the story in just the right amounts, though if you’re bad with names like me you may start to confuse the lass’ many siblings.

I will definitely be seeking out more books by this author. The fact that she’s done a retelling of The Twelve Dancing Princesses has a little less than it might to do with that. Sun and Moon won’t be kicking any books off my top five, but it’s definitely worth reading, probably multiple times.

Characters: 5/5
Plot: 4/5
Style: 4.5/5

Overall rating: 4.5

Networking

I'll be the first to admit that I'm not all that great at networking. It's not just that I'm a slightly technologically challenged teenager, it's also that I find it difficult to tell whether what I'm saying is interesting and I have almost no idea whether an online community will be good for me until after I get into it. I usually try something for a while and then drop off the face of the forum, either a week or a year later, and occasionally go back and look at my quiet page and think about what it's like to be an internet ghost. By the way, if anyone wants to write about an internet ghost, you can have that one. Like I said, technologically challenged here, and that idea frightens me because of the amount of research that could possibly be involved. Can spectral material travel over internet signals? How does chain mail feel as it zips through your entity? Are spammers really just ghosts that are as tech-illiterate as me trying to get our attention?

Anyway. Lately, when I go to join a writing site, it seems like it's either a big gaint community that intimidates me with it's connectedness, a giant community that really isn't very connected at all and isn't that great of a place to be, or a small community that intimidates me by its intimateness. And most WIP sharing sites have strict rules about what can be in manuscripts, and I break at least a few of them. This makes me kind of sad. I had no idea my book was too bad for the internet. The irnoy is cold and painful like a rusty scouring pad to my self-confidence.

Anyway. What I'm trying to say is I know it's not as easy as it seems to do social networking. People you meet over the internet can be just as, if not more, intimidating than real-life people. The pressure is all on you to be witty and charming without even having eyelashes to bat, and internet sarcasm has a nasty habit of going over peoples heads. So if you are a socially awkward struggling networker trying to find their place in cyberspace, don't be afraid to ask for help. Just not from me, 'cause I'm as clueless as the rest of you. I also use 'Anyway' way to much. I was just about to start another paragraph with it. I'll restrain myself.

...Check out these websites that have at least marginally worked for me!

http://www.absolutewrite.com/forums/
http://www.webook.com/home
http://fantasy-writers.org/default.asp

And fictionpress.com is okay, but you've gotta have a way to draw people in from other places, because that site is ginormous.

Til next time!

English Journal: Paranormalcy #3

Let's not mention last week. It was a bad week.

As always, beware of spoilers, read good books, and happy holidays.


Evie works for IPCA, an international organization which attempts, with mixed success, to control various paranormal creatures and keep them away from humans. They are just a little anal about this. When Evie leaves IPCA later in the book, 'organization does not equal justice' becomes something of a theme. She joins what might be considered an anarchist faction, if the book had been more political. Though it's run by a normal man, the principle is for the paranormals to keep each other in check, rather than having Big Brother constantly peeking over their shoulder. There's understandable animosity in the faction toward IPCA, made more reasonable when you discover some of their less lucrative tactics. Still, the tension between the "anarchists" and Evie is practically palpable for a while, until she comes to terms with her friends being her enemies, and vice versa.

Evie tried to explore other species' positions a little, earlier on, but she's quickly distracted by her own duties and opinions. Joining the faction wakes her up a bit. I was glad she didn't flip-flop - "They're good, I like them, oh wait, they're bad, I hate them." She does become something I'm constantly working toward: objective. She reconciles with the fact that even the people she loves are at fault, and even those at fault can be loved.



That's it for the Paranormalcy journals. The next two, if I keep going in order, will be on the incomparable Living Dead Girl by Elizabeth Scott.

English Journal: Paranormalcy #2

It's Wednesday. I'm getting a little less dismal at this. *I wish*

So, neglecting speeches and schoolwork and a few Christian-themed blogs I promised to do for a friend, I'm here to post another journal from my English class on the incomparable Paranormalcy. I'll try to keep the Christian themes to a minimum when posting here, since this isn't that kind of blog, but bear with me - this journal didn't come to a very good end without it. Until next time.


There was a theme running through the book - subtle enough that I didn't notice at first, but I'm sure it's intentional - about judgment and worldview. It's kind of a common theme in fantasy recently. Actually, it's borderline cliche: don't judge a vampire by his fangs, and whatnot. I think White went a little deeper into it. Because Evie works for the government, the idea of allies and enemies seems more true than in some books (title redacted) because there's actual authority and duty and power play going on, not just an angsty teenager thinking the world's against her.

Anyway, White really isn't dealing with the nature of evil here - well, she is if you count the multiple reestablishings of the heroine's "personal evil", thereby defining what pure evil is not. Eh. I hope that makes sense.

Evie even mentions once that fairies, minor to major reoccurring baddies of the book, are not so much evil or amoral as they are other moralled. What's important to humans, not so much with the Fae. There are even two clans of fairies which are differing levels of nasty, and they seem to consider each other evil.

I think it's an important point, especially for Christians: it's not reasonable to expect people to conform to our standards if they don't believe in them. Like the organization Evie works for, depending on other moralled people to do what we want them to do isn't very wise, or very fair. And it's not very good for our reputation, either.

English Journal: Paranormalcy

You know what's funny? I said I'd do these every Sunday. And I thought I'd be able to do it.

Wishful thinking = disappointment.

I lost one of my journalling notebooks, so for now I'll be using some from this year. The first three are for Kiersten White's Paranormalcy, which just came out earlier this year. Since it's such a new book, and by a blogger I happen to admire greatly, I'll probably post the others, too, over the next two weeks. Just remember: spoilers. My English teacher, sadly, will probably never get around to reading Para, but if you are planning to, you've been forewarned.


This is the first book I've ever ordered before it came out. It makes me feel all writerly and connected. Between that, and the fact that I read and love the author's blog, these journals may not be completely objective.

Basically, this is the paranormal book I've been waiting for. It's funny and sweet and a perfect comfort read, but it's also deep and the characters are personal. It doesn't take itself seriously, but parts of it are serious. High concept is all well and good, but sometimes you need a hobby read. And why shouldn't a hobby read be well-written, too?

The main character, Evie, made a pretty successful heroine. She had enough characterization to make her personality and originality clear without ostrasizing the reader, which I think is important for this kind of first person. When the story's moving quickly, which it usually is, she takes a little more of a backseat to help the reader experience the story.

She also falls in love without being supremely annoying to anyone who has not fallen in love, mostly, which is a pretty big accomplishment.

Englih Journal: "Rose Daughter"

Did someone here say something about posting journals every Sunday? What a little liar that person must be...

So, today I have another journal. I'm still trying to pick things that are at least a little known, which seriously limits me choices. This one is rather long, though I'm not sure if this is more of a downside for me, or for anyone reading this self-indulgent tripe.

Without further ado, an English class journal on Robin McKinley's "Rose Daughter."

McKinley has a real "thing" for Beauty and the Beast. Good thing, too, because I'm the same way. I've read both her adaptations, "Rose Daughter" and Beauty", and another book with definite connections to the tale. So if there journals end up being about all three instead of just Rose Daughter, it's because I can't quite keep them straight in my head.

I've been reading a lot of books about magic lately. It's a little unusual for me, since I generally have little interest in it; my interest is in fantasy. The fact that the two often go together has softened me to warily accept the occasional magician. But the magic in these books is... quiet, maybe. Very Chronicles of Narnia, in a way. And I actually like it quite a bit. Particularly when magic is attached to the story in non-otherworldly ways. For instance, in "Rose Daughter" there are an awful lot of, who would've guessed, roses. (McKinley loves roses. I know this because I am now slightly obsessed fan of hers, and I read her blog every day.) In the story, roses are a symbol of, and a blessing for, love. "Not silly sweethearts' love," but real, true love. It's said that only wizards and greenwitches can get roses to grow because people didn't have enough love to give them. It's a continual question n the book whether our heroine, Beauty, is a greenwitch without knowing it because she got the roses in her new town to bloom again.

I'd kind of given up hope on roses - they're dreadfully overdone, in fiction and real life - but this has brought me back to them again. I think that's proof enough that "Rose Daughter" is a piece of literary magic.

English Journals: Howl's Moving Castle

So, basically, my language teacher is awesome. Every quarter we hand in ten journals - three-quarters or more of a page per entry - on outside reading books that we choose for ourselves, and I think that's about 25% of our English grade. I especially appreciate this because a lot of the books I read wouldn't get past the school's radar, if this program didn't give me something to do with them that doesn't necessarily hinge on their content. That's not to say I read dirty books, my school is just verrry cautious. Sometimes we journal on assigned books, but not usually.

It's been in my mind for a while now to post some journals - the good ones, and ones about more popular books - here, kind of like book reviews but without stars. There's a slight possibility for spoilers: insert flashing red WARNING sign. So, since I'm starting today and today is a Sunday, let's just say I'll post one (long) or two (short) every Sunday. I'll start with the ones from last year, since I can't find my journal from the year before, and work my way forward. They may read a bit oddly, since I write them with that specific teacher in mind, almost like letters. It's not quite the same as blog posts aimed at the public in general.

Journal #1: Howl's Moving Castle by Dianna Wynne Jones

"Now that's the kind of magic I admire. Taking something that already exists and making a curse out of it." Calcifer, Howl's resident landed-falling-star, says something to this effect in regards to a rather tricky curse spun out of a poem, "Song" by John Donne. I have to say I agree with him.

I generally don't go for fantasy magic: the negative side is a bit too "real" for my tastes, and a little magic goes a long way. But this is the kind of magic I admire. Between spells, seven league boots, and a handful of other unexplained magical elements, there is a magic so pure and simple that the heroine uses it without knowing what she's doing. It is the magic of talking life into things; plain things like hats and strange things like animated scarecrows. All Sophie Hatter has to do is talk to something (she's in rather a habit of doing this) and it takes on what she says, becoming either alive or bespelled.

The thing I like so much about this, though, is that the principle applies to our non-magical words as well; at least, if you truly believe that words have power, which I do. The things we say to people, even after the words are forgotten, brings something up in them that wasn't there before, or strengthens something that was. Whether we're tearing down or building up, the distinct mark of our words affect all we come in contact with.

The First Five

Okay, last post was kind of a downer. So this one's going to be more fun. I've finally picked the first five agents I'm going to query! (Well, the first four - one is a publisher.) I have a bunch lined up to research for round two, as well.

I'm really interested in all four of these agents (and the publisher), so I'm praying they'll be as interested in me! They all do YA and fantasy, I checked, because otherwise I'd end up looking like a total n00b sending an urban fantasy to someone who only does historical drama, or a YA fiction to someone who only does self-help books. And that would be embarrassing.

I found out recently that the agent I had been really into before, a junior agent with Writers House, was no longer working, and I was totally disappointed. But researching all the other options out there, and seeing how good they were, got me excited again. I know that most people don't get their first choice of agents, and send out a lot of queries, but now that my first choice is no longer an option, it's kind of like, "Okay, I didn't get to work with her, and I may not get to work with these people either, but at least once I send out queries it'll be doing something. And then, if I keep sending, and keep writing and editing and getting better, with a little luck, I'll get to work with someone awesome in the end." There isn't exactly a shortage of amazing agents - anyone who takes on a job like that for the love of the industry is already pretty amazing in my book. So I have hope! Haha.